Train of Thought

Ever since the news, my inner Arlo Guthrie hasn’t stopped singing.

Writin’ on The City of New Orleans,

Simon & Schuster, Monday-morning rail,

It’s got 15 cars of would-be J.K. Rowlings,

Three pot-boilers, 25 plots so frail …

The occasion, of course, is Amtrak’s decision to begin a “writer’s residency” program aboard its trains. As in take a seat, hit the keys and type the miles away.

No charge.

It’s a rolling dream for a lot of writers, and not just because it’s free, though that word does hold a lot of power for the Order of the Smoking Word Processor. Anyone in the press knows that the best way to draw reporters isn’t to issue a release, it’s to serve free food — an observation that has broadened both coverage and waistlines.

But while a free train ride might hold some attractions by itself, the real draw is in what the train can bestow. Separation. Focus. Time.

Time, maybe most of all.

Every writer has their own idiosyncracies. Lewis Carroll wrote standing up, Truman Capote lying down. Mark Twain needed yellow paper, Rudyard Kipling demanded black ink, and Roald Dahl had to have his Dixon-Ticonderoga pencils. Isaac Asimov didn’t seem to need more than oxygen, and if he could have made his prose literally breathless, he’d probably be writing still.

But the one thing we all have to have, the one indispensable, is time.

Not time to write. That’s actually the easy part. Anyone who can spend three hours a day looking at cat pictures on the Internet can find a way to write a page or two. The time spent watching the last Super Bowl could have produced several anthologies — and arguably would have been more productively spent, especially for Manning and Co.

No, the hard part is the time to germinate. To let ideas lie fallow. To let your brain absent-mindedly chew on a thought, a thought that mingles with others and evolves like the monster in a B-movie, suddenly alive and demanding attention.

It’s important. And these days, it’s difficult. The absent mind has a plethora of things racing to fill it, from headline news to bacon jokes. We live in a sea of stimulus and interaction — great things for starting an idea, but not always so for nurturing it.

It’s like trying to plant a flower garden on the interstate. And daylilies versus Peterbilts was never a fair match.

And so — separation.

The retreat is an old idea, especially in religious tradition; to step away from the world for a while in order to refocus your mind and soul on what matters. Like most things, that deliberate loneliness gets more valuable as it gets harder to find. Not just for writers, either; who couldn’t use even 20 minutes to get away and let the mind be a field instead of an engine?

The Amtrak idea, of course, promises a lot more than 20 minutes. (Well, so long as the WiFi is turned off, anyway.) But while that’s attractive — OK, downright seductive — it doesn’t have to be that extreme. It can be an hour at night after everyone else has gone to bed. Or a weekend away. Or even an uneventful drive on a boring road, one of my favorite spots for musing on columns, fiction and intractable problems.

If you’ve ever been behind me in traffic, by the way, I do apologize. And I swear, that light was yellow when I entered the intersection.

Time set apart. Mind set apart. A chance to be quiet, even bored. That’s where souls are refreshed and ideas are born.

That’s priceless.

In fact, it’s worth volumes.

Clowning Achievement

It started with a puking dog. As all good comedy should.

But I’m getting ahead of myself.

The author Spider Robinson once speculated that the universe is connected by a number of invisible switches, set to activate at certain times. For example, the switch that rings your telephone is located in the bottom of the bathtub, guaranteeing a sales call as soon as you sit down. Meanwhile, the switch that turns traffic lights red is just under your accelerator pedal, for maximum fun on mornings when you’re running late to work.

I say this only because I seem to have a switch in my life that’s labeled “Chevy Chase.” And I’d really like to find the plug before someone dies laughing.

I’m not alone here. A friend of mine used to flip that switch any time he tried a home improvement project. An oil change would drain the transmission fluid. An attempt to stain the deck would also paint the house … or the fence … or would see the dog get out and run right across the wet surface and into the yard.

But even he, in his genius, would be hard-pressed to top the comedy routine that erupted when Blake began to heave.

The sound of a dog about to throw up on your bed is like nothing else in the world. It brings every sense to full alert, like a Mission:Impossible tape announcing “Your bed comforter is about to be irrevocably stained in 10 seconds. Good luck, Jim.”

Did I mention the dog weighs 80 pounds and is not easily moved?

“Towel!” I called out, jumping up and dashing to the bathroom. Somewhere … somewhere … here, the old ratty one we were about to throw out. Success!

I turned in triumph. And smacked nose-first into the door.

BANG!

“OW!”

The door rebounded. Hit the frame. And smacked me a second time.

THUD!

“OWWWW!”

I staggered forward, vaguely aware of my wife Heather and our ward Missy trying desperately not to laugh. It didn’t help their struggle much when my next step went into Blake’s water dish.

SPLASH!

True laughter now, as I woozily reached the bed in time to get the towel beneath Blake’s chin. The first “shot” hit the terrycloth perfectly … at which point Blake decided he’d feel better on the floor.

“Blake, wait!”

“Not on my book!” Heather called out, seeing his head perilously near a discarded paperback.

Round and round the bedroom floor I danced with the Canine Puke Machine, alternately offering the towel or yanking an endangered item out of the way. Finally, both of us done, we collapsed on the hardwood floor, panting side-by-side.

As my adrenaline lowered, I recognized the sound of music in the distance.

Missy’s stereo. At full blast.

Playing KC and the Sunshine Band’s “Keep It Comin’, Love.”

I couldn’t help it. I started laughing, too.

Sometimes that’s all you can do.

The universe contrives to put us in some pretty ridiculous places sometimes. Ranting and roaring about it only raises the blood pressure and (more often than not) extends the chaos. A good laugh frees you to be human, lets the stress go, and just makes you more pleasant to be around.

After all, you’d pay good money to see someone do this on purpose. If you’re the star, why not just enjoy the show?

You might even live longer.

At least, until that bathroom door comes back for a third swing.

“Owwwww ….”

 

The Face in the Mirror

When I was little, getting my hair washed could be a life-changing event.

Every parent and grandparent knows the drill. Get the child in the tub for a bath. Pour water over their head. Shampoo, then rinse with another drenching that leaves the hair plastered, dripping, soaked.

By the time Grandma Elsie was done with me, I would look into the bathroom mirror and see a werewolf cub that had been left out in the rain too long.

“That’s not me!” I’d shout out. And, smiling or laughing, Grandma would brush and dry my hair until, indeed, it did look like me again.

That memory passed my mind a lot last week as I sat at her hospital bedside with the rest of the family.

It had happened too fast, and then too slow. A moment of socks slipping on bathroom tile had broken Grandma Elsie’s pelvis and sent her to the hospital. Recovery seemed to be painful, but likely – until the internal injuries set to work.

From recovery room to intensive care. From intensive care to hospice. Time passed and turned to pain, pain submitted to medicine and became an hours-long sleep.

Then, the sleep too, passed. And with it passed Grandma.

A part of me hasn’t come back from that yet.

In many ways, Grandma Elsie was the third parent to me and my sisters. For a few years, she lived with us; for all our lives, she was never far away. We only had to hear her English accent or see her smile – a mix of kindness and mischief – to feel better, to know that things were OK.

On her last day, I couldn’t see that smile anymore. And that wasn’t right.

That wasn’t her.

But how do you brush and dry out pain?

I think that’s the great fear at the heart of a death: that you’ll lose someone in truth and not just in time. That, deprived of their presence, even memory will fade to a half-recalled voice and a blurry image, that the person will become less real until you find yourself wondering if you knew them at all.

It’s why I’ve always been offended at the idea that someone will “get over it” or “let go” or “move on.” A piece of you will never let go entirely. And that’s OK. It means a piece of them is still with you, that they touched your life and shaped your soul in a way that still echoes down the years.

Even when the pain of those last memories threatens to color everything else.

“That’s not me.”

No, it’s not. But like the sopping hair, the pain is only a veil. The real face can still be found.

My youngest sister, Carey, found it. Always the most visual of us, she gathered photographs that had been saved through the years and built a display.  Grandma getting married in her hat and coat during the war. Grandma laughing riotously at a wedding. Grandma posing with my two sisters in elaborate grade-school hairstyles for a “seniors prom.”

That was her.

My other sister, Leslie, found it. Always the best speaker, she reminded everyone at the service of the little moments that made Grandma who she was – including how she teased Leslie mercilessly for describing her as “spunky.”

That was her.

Me? I’m the one with the written words and the bulging notebooks. I’m the one who interviewed Grandma while she was alive (at Mom’s request), who built the obit from notes and memories and began working on a “book” for the great-grandkids. From the canary named Bill to the teacher who taped her mouth shut, from the wartime work in an airplane factory to the fractured Christmas carols of my childhood, she was there.

That was her.

When my other grandma passed in 1987, one of my sisters hugged Grandma Elsie tightly and asked “You’re not going to die, are you?”

“Honey,” Grandma assured her, “I’m not going to die for a long, long time.” (As she neared 93, she told me with a laugh “I didn’t realize it was going to be this long!”)

The time finally came. But we’re still holding her close. Trying to remember the last instruction she wrote for us. The one that said “Laugh, don’t cry.”

That’s how she lived. And that’s how she’ll live on.

That, indeed, was her.