Speaking Volumes

Each year, there’s something truly amazing about Banned Books Week.

OK, that probably marks me as a certified Grade-A geek. No big deal. Considering that my personal mountain range of books is about as extensive as Smaug’s dragon-hoard of gold (and about as poorly organized), it might be just a wee bit obvious that the printed word is important to me. And the electronic word. And sometimes the barely-legible handwritten word as well.

And so, when it comes time to remember the Battles of the Library Shelves I pay attention. And when the annual observance is over and … well, in the books for another year, I always have to shake my head in wonder.

Dragons don’t understand burglars. And bookworms don’t understand the effort to ban.

First of  all, there’s the sheer audacity of the idea. Ever since childhood, I’ve been able to spend entire ages of human history in a library, trying to decide what I should be reading. The idea that someone who’s never met me could make that choice for me – in the negative – is laughable. Parents, OK, but strangers?

Then, there’s the unintended comedy that often arises. Among the many well-known challenged books (Huckleberry Finn, To Kill a Mockingbird, the Harry Potter series) is the extremely innocuous picture book Brown Bear, Brown Bear, What Do You See? Why? Because the author, Bill Martin, happened to have the same name as the writer of a book on Marxism and the challengers couldn’t tell the difference. Two Bill Martins – what are the odds?

Let’s add a dash of futility to the mix. I mean, how many people argue with a librarian and live to tell the tale?

But finally – and a little sadly – I sometimes wonder if the book challengers are trying to capture an unoccupied hill.

If a book isn’t read, it barely matters whether it’s challenged or not.

Right now, the average American reads for pleasure for about 16 minutes a day. That’s a number to dim the fire of any dragon. And it’s one that baffles me just a little.

It could be because of how busy we keep ourselves – except that many of us regularly devote a three-hour stretch of time to the week’s football game.

It could be because reading requires active concentration on an extended narrative – but if anything, Americans have proven they can passionately absorb and debate lengthy story arcs across the latest streaming TV series or movie franchise.

We could blame those darned kids and their need to see everything on a screen – but according to a recent study by the Pew Research Center, it’s mostly seniors who have been spending more time watching TV, movies or streaming video, while younger age groups have either stayed about the same or fallen.

Whatever the reason, it’s time to turn the page.

I know I’m preaching to the choir here. (You ARE reading this, right?) But reading is possibly the greatest pastime we’ve ever created. With a moment’s effort, you’ve established a telepathic bond, experiencing the thoughts of an author who may be separated by thousands of miles and hundreds of years. You can step inside the head of another person in a way that other media still struggle to recreate, experiencing walks of life vastly different from your own – or finding someone who’s walked your path, understands your struggles, and can reassure you that you’re not alone.

It might be a paperback close to hand. It might be an entire library on a tablet. Heck, my dad devoured bookcases worth of audiobooks on his daily drive to and from Golden for 40 years. The form doesn’t matter – the power is the same.

And if you’re one of the ones struggling to find even a few minutes of reading time– take heart.  With a book, every little bit adds up. Sixteen minutes a day can often finish a book in a month, aside from the real doorstoppers. (And as we’ve seen with Harry Potter, the doorstoppers sometimes get finished faster.)

So yes, the situation could be better. But the treasures still await. The battles are still worth fighting. The power to read remains precious.

Precious enough for some people to try to limit it.

Don’t let anyone do that.

Including yourself.

The Princess Riot

The roar of indignation echoed across the internet.

“What do you MEAN, they’re remaking ‘The Princess Bride?’ ”

To be fair to Hollywood – probably not. The whole mess started with an off-hand comment by a Sony CEO that some “very famous people” wanted to take another crack at the 1987 family favorite. There’s been no official announcement since. Indeed, the only word of any kind since then seems to have been an unnamed USA Today source confirming that Sony has no plans to touch the film.

No surprise. If Sony meant to test the waters, the studio quickly found them full of Screaming Eels. In a world where we seem to grow ever more divided, EVERYBODY from ordinary fans to stars of the film to prominent political figures closed ranks to defend the movie. And since ‘The Princess Bride’ is one of the most quotable movies ever made, everyone had a chance to tweet one of their favorite lines as part of the resistance:

 

“There’s a shortage of perfect movies in this world. It would be a pity to damage this one.” – Cary Elwes

 

“NOOOOOOOO!!!!!! Sonny, The Princess Bride is the greatest thing, in the world—except for a nice MLT, mutton, lettuce and tomato sandwich, where the mutton is nice and lean and the tomato is ripe. They’re so perky, I love that. DON’T MESS WITH PERFECTION.” – Sen. Ted Cruz

 

“INCONCEIVABLE!!” – Half the internet, simultaneously

 

The only thing missing was Inigo Montoya drawing his sword and making his famous introduction … oops, no wait, there it is in a meme. We’re good.

It’s heartwarming, of course, to see people defending a story, especially this one. This was William Goldman’s favorite novel and screenplay, one that made it to the screen against tremendous odds. It spent over a decade in “development hell,” with many studios convinced it was unfilmable. Its initial release came and went with barely a ripple, since the marketing department didn’t know what to do with it – was it a romance, a fantasy, a comedy, what?

Home video saved it and made it an icon. Small wonder. A fairy tale that both celebrated and mocked its own roots, a story with swashbuckling action and tongue-in-cheek wit, a movie that could wholeheartedly embrace true love (or is it “twoo wuv?) while also quoting “Life is pain, princess; anyone who says differently is selling you something” – what’s not to like?

Or more to the point, what’s to remake?

Hollywood, of course, loves the remake and the reboot. It’s the safe choice, with a built-in audience. And it works more often than we think. “The Wizard of Oz” with Judy Garland was the second feature film on the subject. So was Charlton Heston’s “Ben-Hur.” “The Magnificent Seven” was a resetting of “The Seven Samurai,” while the comedy “Airplane!” took the script of “Zero Hour!” almost word-for-word.

But in each of those cases, there was something new to be brought to the mix. A different tone or  genre, or a new take by an actor or director, or new technology to better capture the story. If all you’re doing is retreading the same ground, you might as well just re-release the film and have done with it. You’re not going to take it anywhere new – and you might well make it worse.

You don’t have to be Hollywood to understand that. Most of us know what it’s like. We get in ruts. We make the same decisions over and over. Sometimes they’re good decisions that became merely comfortable ones. Sometimes they’re Charlie Brown’s football, promising over and over again that THIS time it will work.

Deep down, we know we have to explore and grow. That’s why our best stories take someone beyond the comfortable and force them to change. The reckless and rootless Huckleberry Finn learns maturity and the worth of a man. The stay-at-home Bilbo Baggins learns confidence and an appreciation of the wider world.

And yes, the farm boy Westley remakes himself into the hero his love needs him to be – and learns that even the most competent hero can’t do it alone.

Remaking movies can be tedium. But remaking lives is essential. What lives, grows.

Anything else is simply inconceivable.

Bits and Pieces

Indiana Jones had the Ark of the Covenant. Darth Vader blew up a world in search of the Death Star plans. But all of it quailed in the face of the latest discovery.

Heather and her siblings, at long last, had uncovered G-ma’s Cow Pitcher.

“And now the fight begins,” her sister Jaimee joked, to the laughter of the room.

For the uninitiated, the Cow Pitcher is not a fastball-hurling Guernsey. Had we found that, we would have had an immediate obligation to send it to the Colorado Rockies. (Hey, their rotation can use all the help it can get.) This rather, was the unforgettable cow-shaped milk pitcher of Heather’s Grandma Marilyn – known eternally as “G-ma” – that she frequently wielded over the cereal bowl of each grandchild with a flourish and a call of “MooOOOooo!”

As the playful banter began, Marilyn herself chuckled and smiled. Another memory was about to find a home.

Only 3,207 more to go.

Marilyn, you see, is moving. That’s always a fun exercise to begin with. (As Mark Twain may not have said, “Two moves equal one fire.”) And it gets even more interesting when you’re moving into a smaller, simpler place and need to clear out a lot of stuff – not to an attic, a basement, or a garage, but to a new keeper, if it’s worth keeping at all.

And so, it slowly passed before us all. An endless stream of photo albums and teddy bears. A mysterious case – “is this a sewing machine?” – that turned out to be an old slide projector. Books upon books upon books, from longtime classics to movie novelizations.

It looked like we were in the middle of the world’s most chaotic flea market. But it felt like we were in the midst of gold and diamonds, decades of stories and memories that had taken on a physical form.

Better yet, we still had the best treasure of all.

I’ve written before in this space about the power of stories, how they inspire us, comfort us, bind the universe togeth … no wait, that’s Obi-Wan Kenobi talking about the Force. But you get the idea: stories are an essential part of what makes us human, one of the most precious things we possess.

But there is something more precious than any story.

Namely, the storyteller.

Memories are made of people. Stories begin with them. We walk past libraries every day, live with anthologies, work alongside chapters that we never knew existed. And most of the time, we barely open the cover.

We only realize how little we’ve read until the storyteller is gone. And there’s always so much more to find.

I lost a grandmother at 93 and a cousin at 21. I talked to both of them frequently. And yet, after they were gone, there were still questions I wished I’d asked, stories I wished I’d heard, thoughts I wished we’d exchanged.

That’s one reason we value the “stuff,” I suppose. It evokes the memories long after the memory maker is gone.

But getting to evoke them in her presence – that’s beyond price.

Heather and I wound up with the photo albums, to scan and share. Her brother Brad got to keep the Cow Pitcher – and miraculously, no concussions were involved. All of us wound up with a few books. OK, a lot of books.

And all of us got to keep Marilyn.  That’s as cool as a Cow Pitcher jumping over the moon. Or is that “over the mooOOOoon?”

After all, you’ve got to milk these things.