Feeling the Force

One thing about visiting a galaxy far, far away. It makes bedtime far, far easier.

“Did you have a good time?”

A vigorous nod came in reply.

Missy’s smile was a mile wide as I pulled up the covers. No surprise. What she loves, she loves without reservation. And when it comes to Star Wars, the passion of our developmentally disabled ward  reaches a force (or even a Force) that would astound George Lucas himself. Just a glimpse of R2-D2, or the mighty Chewbacca, or (especially) Darth Vader is sure to mean a quick tug on my sleeve and a cry of “Da’y, look!”

And so, when the chance came to see it on the big screen, courtesy of a local theater, Heather and I had the same thought: “I have a good feeling about this.”

Needless to say, Missy was in heaven. She laughed, she cheered, she gave huge cries of “whoooooa!” at suitably big moments. Sitting still isn’t always easy for her, and her devotion didn’t entirely change that, but most of the motion was either bouncing with excitement, or turning around in her seat every so often to see if everyone else was having as much fun as she was.

She needn’t have worried. The audience was held in a grip Darth Vader would envy. For many, this was the first time in years they’d seen it in a theater … or even the first time they’d seen it in a theater at all.

The first time to really feel the magic. To live the story.

Some of you know what I mean. These days, we are surrounded by stories, and especially visual stories. It takes only a moment’s thought to binge an entire series on streaming television, to call up favorite clips on our smartphone, to download and immerse and enjoy.

It’s fun. It’s amazing. I don’t deny it.

But it’s also … well … small.

And you don’t realize how small until you step into something larger again.

Understand, I know the original Star Wars films cold. Saw them in the theater, played them endlessly on VHS, practically memorized the script. But when I walked back in with Missy that night, it was like I hadn’t seen them at all.

Suddenly, there were details that had vanished on a television screen or computer monitor. Suddenly, the music was swelling and the explosions were roaring.

But most of all – best of all – was that audience. Large. Absorbed. Laughing and applauding, unafraid to show how much they were enjoying this. I knew that power from live theater many times, but only rarely from modern movies, where multiple screenings often result in smaller, quieter crowds at each individual showing.

Here, the tale and the audience had become one.

And that, ultimately, is what any story is about.

Authors need readers. Actors need audiences. Tales need listeners – to bring their own lives to the story, their own thoughts and experience and wonder that fills in the blanks and makes it whole.

And when you have a lot of those lives in one place, where they can merge and transform and build, it creates a power that carries along everything in its wake. A hundred pieces, suddenly joined into a larger whole.

Inside the movie theater, that’s a powerful metamorphosis. Outside the movie theater, it can change the world.

I don’t mean the mindless conformity of an Imperial stormtrooper unit, though stories have been and will be twisted to do that, too. No, this is the power of the Rebels, bringing together aliens and droids, princesses and smugglers, ancient warriors and naive farm boys, into a cause that’s greater for having all of them. A story that’s richer than any one of them could have done alone.

That’s our story. Our epic.

And one heck of a smile at bedtime.

 

A Failure of Imagination

Once in a while, Missy and I will decide it’s time to roll. Literally.

We don’t break out the wheelchair too often. But when we’re headed for somewhere where the distances are too great or the durations too long to be easily handled by Missy’s uncertain balance, we’ll load her up. Most of the time, it’s great fun for us, especially when I put on bursts of speed or sudden swerves to get her laughing and cheering.

And then, there are the other times.

Sometimes we find places where the sidewalk rises, just a bit. Not enough to be noticed by a pedestrian. But enough to temporarily turn a small wheelchair into a stuck grocery cart, until I lean and lift to pop it over the seam in the pavement.

Sometimes we find a place where the sidewalk runs high and the nearest slope to get on or off is far away.

Sometimes we find places where the sidewalk ends. Not the beginning of a Shel Silverstein land of whimsy and enchantment, but where the sudden appearance of dirt, grass, or broken landscape in mid-block says “Oh, you wanted the other side of the street.”

When it happens, Missy growls. And I fume or sigh and look around.

For a moment, we’re not just anybody else. We’re living in someone else’s world. A someone who didn’t see us coming.

***

Of course, you don’t have to be disabled to have a walk made challenging. Sometimes you just have to be the wrong kind of astronaut.

Most of the country heard about a planned spacewalk a few days ago. It was supposed to be historic, the first NASA walk into the Great Beyond made by two female astronauts.

One of the women had to stay aboard the station instead. Why? Because there was only one medium-sized spacesuit ready for use. And both of them needed it.

Yes, getting to orbit was actually easier than getting out the door.

Funny. For a moment, I thought I heard a Missy growl.

***

In many ways, we’re an amazingly imaginative species. We’ve sent people to the moon, sent data around the world in an instant, brought superheroes and fantastic adventurers to life on the movie screen (even if we can’t always give them decent dialogue). From biology to fashion, we constantly push back the borders on every side.

But in other ways, we can be just as amazingly limited.

Ask a left-hander who’s ever had to use an old-style school desk or a random pair of scissors.

Ask someone who’s 6’4” walking through a building made when the average male height was 5’6”.

Ask the 9-year-old girl last year who found that the basketball shoes she was excited about had labeled all the smaller sizes as “boys.”

I’m sure many of us could add to the list of examples, from the seemingly trivial to the potentially life-threatening. Usually not from active malice, but because “we never thought of that.”

It’s so easy to do. We get used to a type, so much so that we stop seeing it.

And then the assumption gets challenged. And everyone gets to do a double take.

It affects the things we make and the stories we tell (and who gets to be the hero in them). It  affects how we interact with the world, and with each other. It affects whether we even see that there’s an “other” at all.

It’s where imagination meets empathy. And in that place, we not only remember that other people matter, but try to envision what “mattering” means. Beyond our own race, gender, level of ability, or anything else.

We’ll screw up. It’s inevitable. We’re human. But if we’re making the effort to see, to learn, to understand, to put ourselves in the place of another – just maybe our vision wont be so nearsighted, so often.

The more we can do that, the more easily we can all roll along.

Right, Missy?