The Story of Us

It finally happened. I got to see it.

In a word? WOW.

If you’re new to this space, you should probably know that I’m a “Hamilton” fan. And unless you’re new to planet Earth, you’re probably aware that I’ve got a lot of company, including many of us who have yet to beg, borrow or steal our way into “The Room Where It Happens,” also known as a live performance of the Broadway smash.

That changed on Independence Day weekend. In a world where everything’s gone remote, the hip-hop history of the early republic followed suit, jumping feet first into streaming television. For two and a half hours we could see the show as it was on one night in 2016 … you know, back about a million years ago, when masks were something from a Jim Carrey movie?

I jumped in with it. And got hit with several tides at once.

First, of course, was a bit of heartbreak for a personal passion. Thanks to the coronavirus, it’s been so long since we’ve been able to touch live theatre – to see faces play off faces, actors play off audience, the perpetual cycle that creates something unique to the moment yet timeless in the memory. For an amateur actor like myself, to have even the shadow of that was powerful, even while it evoked the yearning for something more.

And then it touched something more subtle.

Watching the faces, you see, means watching reactions. Seeing thoughts and decisions. Having the impact of choices made physical and real.

In a story like this, that’s vital. Because this is a story about stories.

And it’s one that’s achingly relevant to now.

A bit of background: the musical sets up Aaron Burr and Alexander Hamilton as foils to each other. Burr waits for the right moment; Hamilton tries to create it. Burr is cautious about what he says; Hamilton produces a flood of words at every moment. Burr weighs what his audience wants to hear; Hamilton speaks and writes with brutal honesty.

And yet, at the start, they’re more alike than different. Both are focused principally on themselves. True, Burr is considering how he’ll be perceived now while Hamilton instead looks forward to how he’ll be remembered. But it’s still “all about me.”

Burr rarely gets beyond that. When he finally puts his cards on the table, his aim is simply power for its own sake. To be at the center of the decision-making, regardless of what the decisions wind up being.

Hamilton, in the play, finds the seeds of something more.  Not just because he has something he wants to build. But because he’s reminded – often in painful ways – that his story isn’t just HIS story, that the choices he makes have an impact on others.

That’s a valuable reminder at any time. And especially now.

In a crisis, it’s easy to get caught up in the personal. After all, there’s so much of it. It’s human to feel the blows, to mourn the changes, to chafe at restrictions and scream “When do I get the life that I want back?”

We all feel it. And we know it’s not that easy.

In blizzards, in wildfires, in pandemics, the choices we make for ourselves can make life-or-death differences for others. That’s always the case, really, but a disaster underscores it. A moment’s carelessness can mean a pileup on icy roads, an out-of-control canyon blaze, or, yes, an outbreak that snuffs out lives and livelihoods on an epic scale.

And when we consciously look out for others – that’s when we’re at our best. That’s when we become neighbors and communities. It’s how we recover and build. Not by pushing ahead to what we want or deserve, but by watching for the needs and concerns of others and meeting them, even when it’s inconvenient.

That’s a story worth joining.

I wonder if we can get Lin-Manuel Miranda to write the music?

A Long Time Coming

This year, another of the long, painful legacies finally came down.

OK, my friends who are Cubs and Red Sox fans are probably laughing themselves silly. After all, when your wait for vindication approaches or even exceeds the century mark, that’s a special kind of pain right there. Never mind the poor, hurting teacher I knew who was both a Cubs AND a Red Sox fan – an exercise in masochism if there ever was one.

Still, 50 years between championships is long enough to wait. And so, despite my own passion for the division rival Denver Broncos, I couldn’t help cheering along with my friends and family from Kansas and Missouri (yes, I know my geography) as the Kansas City Chiefs finally brought home the big one.

Naturally, they didn’t do it easily. The Chiefs rarely do anything easily. Every single playoff game, right up to the Super Bowl itself, had the same script:

  • Come in full of promise, heralded as one of the best teams in the NFL.
  • Fall behind. Maybe way
  • Find a way back that John Elway himself would envy.

If the last five decades could be translated into a single football game, that’s about what it would look like. And it’s why Chiefs fans went absolutely nuts afterward and a lot of the rest of us with them. The wait is painful. But the end is all the more glorious for it.

But putting it that way overlooks something.

It assumes that all you have to do is wait. Have patience, and the good things will happen.

That’s never been true. In football or the larger world.

For the last five years, the musical “Hamilton” has been a phenomenon on Broadway. Part of the attraction is the contrast between the show’s version of Alexander Hamilton – energetic, impatient, fighting to burn his name in the history of the world – and Aaron Burr, a charming man who plays his cards close to the chest, waiting for the right opportunity to show itself. At a crucial moment, when Alexander has just cut a deal to put his long-sought national bank in place, he taunts his rival:

 

When you got skin in the game, you stay in the game,

But you don’t get a win unless you play in the game,                          

You get love for it, you get hate for it,

You get nothing if you wait for it, wait for it, wait for it.

 

There’s nothing wrong with playing the long game. In fact, it’s vital. Most rapid revolutions fail, and many of the ones that succeed turn on themselves – the English saw it with Cromwell, the French with Napoleon, the Russians with Lenin and Stalin. The movements for change that win have a foundation underneath that is built from a long span of patient and often-frustrating work.

But the work has to happen.

If the Chiefs had blown off the draft year after year – if their fans had never bought a single ticket or tuned in any of the sponsored games – there’d be no trophy, and probably no Chiefs.

If the American colonies had never made a single move toward self-sufficiency over the decades that preceded the Revolution, the fight would have failed, if it had come at all.

If the civil rights movement had waited for rights to just happen, instead of constantly working, constantly struggling, constantly refusing to be put down despite yet one more failure, all of America would be poorer for it.

It’s still true today. Transformation doesn’t come from a single election. Victory or defeat in a cause doesn’t stem from a single action on Capitol Hill. Those are just individual notes in a greater melody. What makes the difference is constancy – not quitting, not turning away, taking the time that needs to be taken without assuming that all that’s needed is time.

Victory is never guaranteed. But it’s that sort of stubborn persistence in pursuit of it that can shape lives. Or histories. Or even the occasional sports franchise.

It’s no fun to endure. But the reward is worth it.

Just ask the Chiefs.

In Just a Moment

“I don’t care what you’re working on, get home now,” Heather said on the phone. Then came the words that shattered everything.

Melanie was gone.

Melanie was my wife’s 21-year-old cousin, kind and sassy, stubborn and compassionate, a night owl full of conversation on any topic or none at all. For the last 14 months, she had been staying with us as she put her life back together from a number of challenges and became a full and vivacious member of the household. She swapped stories, played games, helped around the house, even began to crochet a blanket in Hogwarts colors for Missy, our disabled ward.

All that ended on Friday, Jan. 26, 2018.

We thought Mel was sleeping late. She often did.

She was still in bed. But this time she wasn’t waking up.

 

There are moments that the words don’t reach,

There is suffering too terrible to name …

“It’s Quiet Uptown” from Hamilton

There are a lot of questions that chase through your head when someone dies so young. “Why? How?” are the obvious ones and sometimes the easiest – those are the ones that at least have a chance of being answered with patient work. (Eventually, that is; we’re still learning those answers ourselves.)

But the most pernicious ones, the most painful and useless questions of all, are the ones that begin “What if?” You know the litany, I’m sure:

“What if we’d taken her to the hospital when she came home feeling sick?”

“What if I’d checked on her sooner?”

“What if I’d said something different … done something different … been more concerned about this … paid more attention to that … ?”

It’s self-torture, running in place on a treadmill made of knives. You get nowhere except to hurt yourself worse than before. But we all keep getting on.

If we’re not careful, we can drown out the question that really matters. “What next?”

It’s a question that Mel was an expert at.

 

Every day, you fight like you’re running out of time …

— “Non-Stop,” from Hamilton

Melanie seemed to fill every moment she had. Sometimes drawing or writing. Sometimes making a friendship bracelet or a brightly-colored rice bag for someone she cared about. Sometimes chatting in the kitchen or over Skype until well past midnight.

None of it was easy. Mel had severe Crohn’s disease and the autoimmune complications that often come from that. Mel had many other struggles and the repercussions that often come from those. But she faced it all with a quirky sense of humor and a heart that could never be anything but genuine.

This is the woman who kept photos of her latest colonoscopy in her wallet, where baby pictures would normally go.

This is the little girl who, when told by her granddad to stop opening and closing the back door as she and her friends raced in and out, simply left it open. “Well, you said …”

This is the friend who had plans to work in a veterinary clinic, and was genuinely excited to receive an animal anatomy coloring book for Christmas.

This is the relative who would trade silly Snapchat photos with her mom and little brother, seeing who could turn each other into the most ridiculous image.

All of which means this is the friend whose absence leaves a hole. A silence. A gap in the story that aches to be filled.

And, perhaps, a reminder.

 

And when my time is up, have I done enough?

Will they tell my story?

— “Who Lives, Who Dies, Who Tells Your Story?” from Hamilton

All of us work to a limited clock. None of us are promised tomorrow. Most of the time, we’re good about not thinking about that.

But when a loved one leaves too soon, it hits you right in the face.

You look at the choices that you made and that you didn’t make. The things you’ve tried and the things you were too scared to do. A different sort of “what if,” perhaps, but one that looks forward instead of backward.

“What have I not done that I should have done? That I still could do?”

I use the word “choice” and it starts that way. But the funny thing is, the mind and the soul have a muscle memory, too. The more you choose an action, the more reflexive it becomes. That can be the start of a lot of bad habits – but it’s also where things like bravery, diligence, kindness and generosity come from. You do the right thing often enough, and eventually it leaves conscious thought. It just becomes what you do.

When time is short, those reflexes matter. And time is always short. Train them. Sharpen them. Reach out. Welcome in.

Melanie did.

And in her absence, I hope we all can, too.

The Waiting Game

Heather finally made it.

Those of you who have been following the adventures of my wife know that she’s repeatedly almost received an infusion for her multiple sclerosis, only to be rescheduled at the last minute due to a temperature. (I’ve always thought she was too hot for the room, but this is something else.) But a few days ago, we finally broke the cycle.

Yay!

Her prize? To sit for more than seven hours with an IV in her arm, trying to keep it from popping out or giving her an allergic reaction.

Uh … yay?

By the time she got home, her back had joined the Rebellion. Her arms were sore. Her body was fatigued as only those who have spent a full day in the locked and upright position can be.

Did it work? It may be a couple of months before we know. And then, win or lose, we get to do this again six months from now. Once again, the latest round of the Waiting Game (trademark pending) is on us.

Thankfully, we’re good at waiting.

Well … not good in the sense of “I am impassive to the world; let me become one with the universe/the Force/the complete works of Bob Dylan until it is time for me to unexpectedly reach out and trap a moving fly in my chopsticks.” That would be kind of awesome, not least because we could count on getting a part in the next Karate Kid reboot.

No, when it comes to waiting, we’re like a lot of experienced pros: resigned at best and impatient at worst. We don’t really like it. We wish we didn’t have to. But we’ve done it before and we’ll do it again, because that’s the only way that progress gets made.

More often than not, you move forward fastest by learning to stand still.

I’m catching a few nods out there. Long-term change of any kind – pregnancy, surgical recovery, dedicated Rockies fan – tends to require patience most of all. It’s even true in the political realm. It’s a truism in history that most revolutions fail; the ones that make it have laid down years, sometimes decades, of groundwork and have a tenacity that goes beyond the moment of adrenaline.

But there’s a trap. Don’t mistake patience for passivity. Waiting is not just sitting back and letting the world happen to you; it’s anticipating for the moment and preparing for it.

In the musical Hamilton, Aaron Burr sings that “I am not standing still – I am lying in wait.” There is a difference. You endure, yes, but you don’t just endure.

Heather isn’t waiting for the MS to magically resolve itself, any more than political change or decent relief pitching just falls out of the sky. She’s a participant in her own healing, even if that participation consists of waiting for the right moment to take certain small, specific actions, and finding ways to hold together in the meantime.

It’s not easy, especially for someone who would rather step up and take control now. Especially when there’s so much going on that screams for immediate help. But in the long term, care and patience usually leads to an answer that lasts.

Patience. Not despair. Not giving up. Not zoning out.

The next move in the game will come.

Hopefully with a good book and an IV that knows how to hold still.

Familiar and Strange

Lately my life has been set to the sounds of “Hamilton.”

Granted, it’s not exactly uncommon for me to put a Broadway cast album on heavy rotation. But this time I have a lot of company. The rap musical about America’s first Treasury Secretary is now the hottest thing on Broadway, winning the Grammy, the Pulitzer Prize, and probably a lot of Tonys in a couple of weeks, all while being sold out into the next presidential administration.

By now, the CD is spending half its time in my car and the other half with friends and family as I repeatedly ask “Have you heard this?” Sometimes it takes quite a while to come back.

It’s probably one of the most unlikely successes on the New York stage. And I’m still trying to figure out exactly what went right. You know, beyond having catchy tunes, acrobatic lyrics, and a truly compelling life story to build around. Any theatre fan knows about fun shows that didn’t last – mass obsession needs something more.

In this case, I think it’s the unfamiliar familiar.

No, my brain didn’t hiccup there. But one of the best hooks for any idea is to be almost familiar, the way a mind latches on to a song lyric you can almost remember or almost make out. (“Louie, Louie,” anyone?) You realize that it’s something you sort of know, but not quite … there’s just enough that’s alien or different to require closer examination.

Like a historical figure that most of us studied in school but only vaguely remember. (The same thing has happened with John Adams a couple of times now.)

Like a Founding Fathers drama that casts minorities and uses rap and R&B to make its musical points.

And maybe most compelling, a political setting that echoes the turmoil of our own, but with hope for the future.

I’ve said before that the Founders aren’t marble figures on a pedestal, nor were their times a stately waltz to the inevitable. In the years after the American Revolution, we had economic distress, brawling factions, threats of outright rebellion, and intense wars of words in the newspapers that sometimes escaped to the dueling ground. A presidential election once sat in paralysis for days because of an Electoral College deadlock, and passionately-held ideas fought for attention with accusations and scandals.

Nothing like the peace and sanity of our own times, right?

In that fact lies a lot of hope. It’s easy to get disgusted, to forget that we’ve been through chaos before and will be again. That’s part of what it means to be a free society – to know that things aren’t going to be neat, pretty, and pre-ordained, but that passion, conflicting motives, and even sometimes outright ignorance and intransigence will be part of the mix.

And yet, somehow, we keep going. In its own way, that’s as unlikely a story as the illegitimate kid from an obscure part of the Caribbean who defended a Constitution and built a national economy before being shot by an aggrieved politician.

“What is a legacy? It’s planting seeds in a garden you never get to see,” Hamilton now declares from the stage. Amid today’s strife, seeds and stories are being planted that could grow into something totally unexpected. As long as we don’t give up on the garden (and on keeping an eye for weeds), it will survive the weather.

We know we can. We have a daily reminder. And a catchy one at that.

Want to borrow the CD and see?