It’s the simple things that mark the arrival of the holidays at Chez Rochat.
Things like discovering which of our pre-lit tree’s lights have pre-burned out, so that we can have the stimulating mental exercise of finding and untangling our old string.
Or the eternal debate as to whether decorating is better done to the strains of John Denver and a chorus of Muppets, or Alvin and his band of helium-voiced chipmunks. (Making the tally “FIVE GOLDEN RINGS!!” versus one “HUUUU-LA HOOOOP!”)
But never is Christmas more surely on the way than when the subsonic tones of Thurl Ravenscroft begins rumbling from our television speakers.
If you don’t recognize the name, I dare you to read the following words without hearing it in his distinctive voice:
“You’re a mean one, Mr. Grinch,
You really are a heel …”
OK, how many sang along?
Thought so.
In a time when traditions seem to have the lifespan of a Raiders fan on Bronco Sunday, a family’s holiday movie choices are all but unshakeable. I have known people who could do without sleigh bells and snow, but would consider the season incomplete if it passed without just one more viewing of Die Hard. (“Yippie-ki-yay to all, and to all a good night.”)
It’s comforting. Reassuring. Familiar, to the point where if the TV burned out, everyone could quote their film of choice letter-perfect – in between jokes about which Clark W. Griswold light display burned things out this time.
For us, it’s a quartet: The Grinch Who Stole Christmas, A Charlie Brown Christmas, A Christmas Story (yes, the never-ending chronicle of the Red Ryder BB gun) and the George C. Scott version of A Christmas Carol. These old-school classics have dominated the networks, our shelf space, and significant portions of our family’s gray matter, to the point where we can mentally count down the moments until Ralphie “didn’t say fudge” or the Ghost of Christmas Yet to Come rolls through the graveyard on a hidden scooter board. (Hey, special effects are expensive.)
But these four have a lot more in common than their deathless production values. In each case, the story centers around what we think we want versus what we need.
Charlie Brown sets lights and aluminum trees against “what Christmas is all about.” Whoville celebrates not the stolen gifts, but the togetherness that lay at their foundation. Mr. Scrooge famously has his priorities shifted in one night, and even Ralphie’s story, the most materialistic of them all, is less about actually getting the coveted BB gun (which – spoiler alert – loses its charm after one accident, anyway) and more about getting a grown-up to actually listen to him for once and take him seriously.
In each case, it’s not about the stuff. It never really was.
OK, maybe it’s a little corny to say it out loud. But at a time when most of us are frantically trying to get through the holiday decathlon, maybe it’s not bad to claim a moment of quiet and think about why we’re doing all this, beyond muscle memory and social expectation.
Is it just about easily-torn paper and misplaced decorations? Does it really come down to whether we can make enough clicks on Amazon before time and money run out?
Or is there something else? Something not just limited to a few weeks in December?
That’s the real gift. And it’s one we’re all going to need going forward.
Though if you still want that hula hoop, I completely understand.
This New Guitar
I twisted the peg, checked the tone. Way too low.
“Other direction, Rochat,” I muttered as I begin to reverse the tuning on the guitar. Better … better … perfect.
I smiled. Only 70 zillion steps to go.
Music’s never been a stranger to Casa Rochat, but it usually involves 88 keys and some desperate scrambling to turn a page without losing the rhythm or my sheet music. But this Christmas, Heather and Missy decided they were going to expand my repertoire a bit. Which is how I wound up with an acoustic guitar under the tree.
A guitar!
There has always been something about a guitar that sounds like home to me. Like a lot of Colorado kids born in the ’70s, I grew up listening to my parents’ John Denver albums, which probably set the pattern. That got reinforced by a lot of friends and relatives, especially acting buddies who would break out their six-string at a cast party. Often we’d play together, piano and guitar, chiming out folk songs or oldies or anything else we could think of.
When music became more available online, I adapted so many chord sheets that I began to joke about playing “rhythm piano.” And so, over the years, I began to think about chasing those warm, familiar sounds myself.
Easy to talk about, of course. Everyone’s got one of those friendly, fuzzy dreams from writing the next big bestseller to climbing the Fourteeners. They’re fun to bring up and cool to contemplate. But turning them into reality … well, that’s a different animal.
That’s work.
Or at least, that’s the attitude most of us take toward it.
Two attitudes, really. The first is to get disappointed when a new task doesn’t yield success right away. “I can’t draw Longs Peak on the first attempt, therefore I can’t draw.” “I tried auditioning and I didn’t get Prince Hamlet, so I’m done.”
The second … well, the second is viewing it as work in the first place.
Granted, to any objective bystander, work is exactly what it is. But most of us aren’t objective about what we do. Mark Twain hit it right on the money in “Tom Sawyer” when he pointed out that “Work consists of whatever a body is obliged to do. Play consists of whatever a body is not obliged to do.”
I write. A lot. I read about writing a lot. Even when I read for pleasure, I catch myself breaking down the structure and style, like an architect studying a blueprint. It’s effort at times, but it’s not really work. It’s just what I do, how I think, who I am.
At least, until I break into a sort of writing I’ve not done before. Then the sweat comes and the doubt begins. The reflexes aren’t trained, the expectations aren’t familiar, and the work, so second-nature at other times, becomes visible, even awkward.
Arguably, I’m doing exactly the same thing. But my mind doesn’t know that yet. It sees work, and lots of it; a mountain to be climbed rather than a view to be discovered.
If I turned that around, I’d probably have half a dozen novels by now.
Turn it around and there’s a freedom. This isn’t school. Nobody’s making me write a book or learn guitar or become a kitchen virtuoso. This is something I can choose to do or not do, to my own satisfaction or disappointment.
Terrifying? Sometimes. But also attractive. And somewhere, buried beneath the surface of the work, a lot of fun.
We discover that on so many other things we love. Why be surprised to find it again?
And so, this year, I’m strumming. Not as a resolution, forced by the change of the year. But as a dream that can finally be real – and real fun – with some time and effort and joy.
And maybe, in the chords, I’ll even hear an echo of a distant time and a Rocky Mountain tenor.
Take me home.