Tag: thinking

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Oh, My Wordle

Dang it, Heather. You know my HABIT for wordplay far too well. In fact, you HONED in on it like a LASER. Now I can’t even ARISE in the morning without seeing five-letter groups everywhere.

And if that made way too much sense to you, someone’s probably hooked you on Wordle, too.

Yes, my wife got me into the latest word-puzzle craze, which is a little like giving a six-year-old a high-sugar cereal and no supervision. I’m a writer. An actor. A punster. I collect words like they’re going out of style, nerd out on their histories, and revel in the ones that have an extra-neat sound to them, regardless of their meaning. (Isn’t it fun to say “discombobulate?”)

So when Heather invited me in, I was wary. And then cautiously curious. And then hooked.

If you’re new to the latest social media fad, Wordle is a simple game with a simple object: figure out a hidden five-letter word in six guesses or less. Each time you get a letter right, its square glows, green for “yes, it goes here” or yellow for “right letter, wrong place.” Once you crack it, you can show off the pattern of your guesses to your friends, letting you compare how much of a struggle it was without giving away the answer to someone who hasn’t played yet.

It’s weirdly addictive …. “weird” mainly because there’s no way it can eat up your time. You get exactly one word per day.  So you struggle, solve and move on. That’s it. No temptations to play “just one more turn.” No real-time action to make you lose track of time. Heck, you can’t even buy anything to help you out, which I’m sure breaks the Ancient Code of Online Game Developers. (“Thou shalt make thy profit and keep it holy.”)

Sure, the fad will probably cool down eventually. They always do, whether it’s Rubik’s Cube or Angry Birds, reaching a stage where they still hold fans but not the spotlight. But while it lasts, it may just be the game our time needs, and not just because it’s a single-player game in an often-distanced age.

You see, the dirty secret is that Wordle isn’t really about words. It’s about pattern recognition. And these days, that’s a survival skill.

We’re surrounded by information. Claims about politics and society. Assertions about health and safety. Compelling thoughts that seem to fit so well with what we think and feel. Some are genuine. Some are trash. All of them make constant appeals for our time and attention.

It’s easy to just react, just like it’s easy to zone out on a game of Candy Crush or even Tetris (for the old-schoolers in the crowd). After all, time is precious and none of this could be that important, right? But inevitably, some of it will make a difference: for you, your neighbor, the world around you.

And so, at our best, we grapple. We study. We look closer and see what actually makes sense.

Mind you, it’s easy to force a pattern onto circumstances. Conspiracy theorists do it all the time. That’s a different thing entirely, like declaring a Wordle victory with four letters wrong because “I know what the answer really is!” You get so caught up in what an answer should be that you miss the clues to what it is.

So it’s good practice to have a game where you see patterns, but can’t impose them. Where the object is to be aware and find a path that makes sense. Where you can stay interested without growing obsessed.

Each of those is a skill worth building.

In fact, you might even say it’s a useful KNACK.

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The Wonderful Whirl of Missy

The lights went down. The applause rang out. Opening night of another triumphant show was in the books. Time to get changed, get out and celebrate with the cast.

But first I had to leap in the car and race home. The real celebrity was on her way.

“So did she dance every dance?” I asked the driver as we both helped a smiling, exhausted Missy to the door around 11 o’clock at night.

“Oh, yes,” the driver answered as Missy’s smile grew wider. “She had a GOOD time.”

This is not unusual. Our developmentally disabled ward Missy – who is my age physically, but much younger in mind and spirit – has a social calendar that sometimes leaves me tired just thinking about it. There’s the bowling, of course. The Friday night trips and activities, including dancing whenever she can. At different times, there have been art classes and Bible studies, softball games and out-of-town festivals … just about everything short of red-carpet premieres and dinner at Spago.

Mind you, not every hour of every day is filled. There are plenty of nights spent simply listening to music (at FULL VOLUME) or doing a puzzle or waiting impatiently in the bay window for me to get home from work. But Missy is an extrovert at heart, and it’s not unusual for her to grab a coat and head for the front door as soon as she knows I’m back with the car.

“I wan’ go bowling!”

“I wan’ eat the food!”

“I wan’ goooooo!”

And so, more often than not, we hit the bookstore, or the game store, or the reading group, or even a downtown restaurant that knows us so well, they’ve practically reserved her a table. I’ve lost count of how many people recognized her slight frame, warm smile and massive red purse as we go out and about.

It’s impressive. Hard to keep up with sometimes, but impressive.

And it’s a good reminder to look past assumptions.

We’re not good at that. In fact, we’re pretty awful. A recent MIT study found that false news stories circulate more easily on Twitter than true ones, attracting more interest and prompting more retweets. Facebook users are no stranger to the phenomenon, either, frequently posting items that can be proved false in 30 seconds – if anyone bothers to look.

But why bother? After all, we know what we know. And if something reinforces that belief, well then it must be true, right?

Taken to its extreme, it leads to a life of surface impressions and confirmation bias, whether it’s called the bubble, the echo chamber, or the privileged perspective. It’s an easy way to live, if you can call it living. And it’s a lot like driving with a blindfold – however much fun you may be having, you can hurt a lot of people without ever realizing what you’ve done.

It takes more effort to see what’s really there.

Missy doesn’t hide very much. Heck, she wears her feelings on her sleeve in letters the size of the Hollywood sign. But if someone doesn’t want to look past the disability and the speech difficulties, they’d never see the fuller life beneath.

Facts aren’t a hard thing to find on the internet. But if someone doesn’t dig beneath their favorite headlines, they never see the proverbial “rest of the story” or if there’s even a story at all.

Prejudices and biases are fragile things at their foundation – but only if you bother to push.

Get out. Look closer. Question what you see. There’s always a story worth learning, if you take the time to hear it and not just the version in your own head.

And if you’re after Missy’s story, I sure hope you’ve cleared your calendar. And that you really, really like dancing.

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Belly Up to the Bard

After 20 years, my dream has come true.

No, not the one where I come to school for a test I never studied for and then realize I’m in flagrant violation of the dress code. Different dream.

This one began with a chance purchase of an oddly-titled script in a college bookstore. Now it’s coming to fruition amidst a torrent of sight gags, word play and utter ridiculousness. A tribute, really, to a master of the hilarious and bizarre.

Right, Master Shakespeare?

OK, OK, I know. “The Complete Works of William Shakespeare (abridged),” our newest comedy at the Longmont Theatre Company, bears about as much resemblance to the stagecraft of Laurence Olivier as I do to the physique of Arnold Schwarzenegger. That’s the beauty of it, really. This is Shakespeare as it might have been done by Monty Python and the Marx Brothers, with a little Saturday Night Live thrown in for good measure.

It’s irreverent. It’s absurd. It’s three men blasting through the canon with a buzz saw like the hero in a zombie flick, and leaving about as much standing.

And somehow, I think the Bard of Avon would have laughed his head off. Once the migraine cleared up, anyway.

That’s not because the show’s true to the text. (Heavens, no.) But it’s true to the life.

Maybe I should explain.

A lot of times, Shakespeare’s plays get treated like museum pieces: Dust off the icons, admire the filigree and keep everything on a nice, safe pedestal. They’re works to be studied, venerated, stuffed and mounted.

Now mind you, I admire the man’s work. I consider his writing some of the most beautiful in the English language. And the details certainly bear study, if only to discover what “fardels” actually are.

But Shakespeare wasn’t writing for textbooks. Shakespeare was writing for people. Rich people, poor people, anyone who could pay for a seat (or a patronage). And he played to that audience as surely as any modern-day Hollywood schlockmeister.

Bad puns? Check. Blood and gore? Check. Soap operas, mistaken identities and jokes about bodily functions? Check, check, and most definitely check. (Take a fresh read through Macbeth if you don’t believe me on that last one, where a porter hilariously laments how too much wine “provokes the desire but takes away the performance.”)

Yes, he wanted people to think. And part of the way he did that was by also making them laugh, wince, and shudder. Many of his tales had been told before; by adding his own twists, touches, and jokes, he could make his audience really hear them and consider them as something new.

That kind of re-transformation can be vital and not just in Shakespeare. Any time we give something a set-apart status – the Founding Fathers, a sacred work, a loved one, the 1927 New York Yankees – we risk taking them for granted. We memorize a headline, or quote the words without the music. As a minister of mine used to say about the Easter story, we already know the end, and so we lose the fear and apprehension shared by those who didn’t know how all this was going to come out.

We stop understanding and see only what we expect to see.

By shaking up those expectations, we wake up our minds. And maybe even laugh ourselves silly in the process.

Let go. Have fun. And if I’ve got you curious, come on down and see what our warped minds have come up with. ( Show details can be seen at www.longmonttheatre.org.) As Master Shakespeare used to say, the play’s the thing.

What kind of thing? Thereby hangs a tale …